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Set Project: Second Page - Sgt. Pepper's Lonely Hearts Club Band

I did not record each step of the sketching part. The reason is in the interpretation. When it comes to processing alongside background song, I noticed a moment of creativity thus completely forgotten taking pictures. To help with understanding those strips, I let myself introduce lyric:

It was twenty years ago today
When Sgt. Pepper taught the band to play
They've been going in and out of style
But they're guaranteed to raise a smile
So may I introduce to you
The act you've known for all these years
Sgt. Pepper's Lonely Hearts Club Band

We're Sgt. Pepper's Lonely Hearts Club Band
We hope you will enjoy the show
Sgt. Pepper's Lonely Hearts Club Band
Sit back and let the evening go
Sgt. Pepper's Lonely, Sgt. Pepper's Lonely
Sgt. Pepper's Lonely Hearts Club Band

It's wonderful to be here
It's certainly a thrill
You're such a lovely audience
We'd like to take you home with us
We'd love to take you home


I don't really want to stop the show
But I thought you might like to know
That the singer's going to sing a song
And he wants you all to sing along
So let me introduce to you
The one and only Billy Shears 
And Sgt. Pepper's Lonely Hearts Club Band

The ''fresh'' rough version.

Where; From the top, I picturized calendar ''twenty years ago today''. Sgt.Pepper signalizes with his left hand the day and with the right, he teaches the band to play - with a scene with drums. 

''A raise of smile'' pictured as a balloon flowing from the TV screen to the cheerful audience. I wanted to emphasise an arising excitement, alongside the background sound of cheering the audience from the track.

On the second strip, in the very beginning, I tried in many ways to visualize the enjoyment. I drew a closer look into the enlarged ''sit back and let the evening go''. By working on the background, mostly I was inspired by Aldrige's shapes of the clouds from book covers. To do not forget about the colours which I directly imagined by stepping deeper into the process, I have written inscriptions around the image. Beneath a starry path, I attached Panton inspired waves. 

In the foreground, I led the hand reminds me of the one from the Yellow Submarine (the further research I will publish soon). Which one is for signalising Billy Shears; exequo Ringo Starr. Which I indicated as a singer. Moreover, in the next track, he has a lead vocal.


Here is the compartment with the overdrew sheet. This one on the left hand side I will leave for colouring. 

Like I mentioned in the with the first page, I tried to diverse the thickness between elements. I think I notice quite an improvement.

Characters on the foreground I tried to defined starting from the most important elements with the thicker lines by finishing with the thinner gestures.

 

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